Paralibrum.

An independent home for bibliophile occulture

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‘The Sword of Song’ by Aleister Crowley
Original Robert Podgurski Original Robert Podgurski

‘The Sword of Song’ by Aleister Crowley

Sword of Song is a groundbreaking venture that still defies most categorizations. The temptation to parallel such an experiment with AC’s life is in some ways far too great to pass up on. (…) The book is a hybrid example of writing that entails much more than mere textuality may suggest. Hopefully Richard Kaczynski’s comprehensive edition will inspire revived and expansive interpretations of its contents for some time to come.

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‘Betwixt God and the Devil’ by Richard Ward
Original Ian Chambers Original Ian Chambers

‘Betwixt God and the Devil’ by Richard Ward

Betwixt God and the Devil writer, Richard Ward, is certainly bewitched by the narrative spell of the muse throughout this book, fashioning a wonderful arch that elucidates the history of magic and witchcraft in the English county of Essex. Indeed, as the subtitle suggests, the book’s contents delve recommendably deep into Essex folk magic from the sixteenth century to the present day.

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Harry Smith Cosmographies: The Naropa Lectures 1988-1990
Original Robert Podgurski Original Robert Podgurski

Harry Smith Cosmographies: The Naropa Lectures 1988-1990

For the student of Harry Smith’s life and oeuvre these lectures are an important living artifact. And for those new to his ways these talks are still able to transport and transform through their peripatetic power. When permitted to make sense in their own way, Smith’s wildly dancing ideas and energies of this collection remain powerful fetishes never to be reduced to any easily summarized or formally assessed school of thought.

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‘Three Books of Occult Philosophy’, Translated by Eric Purdue
Original Robert Podgurski Original Robert Podgurski

‘Three Books of Occult Philosophy’, Translated by Eric Purdue

In his recent rendition of the Three Books, Eric Purdue has consulted Vittoria Perrone Compagni’s critical edition, which is based primarily on the 1533 version, all the while carefully comparing and contrasting it to the 1510 first edition, and the 1531 2nd edition as well as the first manuscript version Agrippa sent to Trithemius.

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‘IO Typhon’ by Harper Feist
Original Frater Acher Original Frater Acher

‘IO Typhon’ by Harper Feist

From within its pages beats the vibrant presence of the encounters from which this book was born. This typhonic pulse is as unmistakable in Harper Feist’s book as it is in the works of Austin Osman Spare, Andrew Chumbley, Orryelle Defenestrate-Bascule, or Gast Bouschet. IO Typhon is a donkey’s skull your thoughts feed with blood while reading.

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‘Two Esoteric Tarots’ by Peter Mark Adams and Christophe Poncet
Original Mark Hewitt Original Mark Hewitt

‘Two Esoteric Tarots’ by Peter Mark Adams and Christophe Poncet

I would recommend this publication to anyone with an interest in the tarot, and it works well as both an introduction to the historical, cultural, and spiritual contexts of both the Sola-Busca and Tarot de Marseille. It is a triumph of two passionate and sincere researchers and a genuine benefit to an audience within and without the magical community – perhaps even art critics.

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‘IO Typhon’ by Harper Feist
Original Peter Mark Adams Original Peter Mark Adams

‘IO Typhon’ by Harper Feist

IO TYPHON is an exemplary literary and theurgical text; a striking and original expression of contemporary esoteric thought and praxis that unfolds in eight distinctive movements. Its combination of subject (the draconian current) and context (that of ritual invocation) provides compelling subject matter.

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‘Blackthorn – Whitethorn’ by Nigel G. Pearson
Original Ian Chambers Original Ian Chambers

‘Blackthorn – Whitethorn’ by Nigel G. Pearson

The underscoring theme of Blackthorn Whitethorn is that precise in-betweenness, the position of not-this not-that (Sanskrit Neti-Neti), a concept and means of apprehending that is as elusive as the roebuck being pursued — or that pursues us — and as thorny as the entangled thicket. This concept — arguably a fundamental ethos of witchery — demands that we adopt an alternate way of approaching, through poetic inference; for it is ineffable in the truest sense, and thence a Nameless Art.

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‘Goêtic Atavisms’ by Frater Acher and Craig ‘VI’ Slee
Original Sriram T R Original Sriram T R

‘Goêtic Atavisms’ by Frater Acher and Craig ‘VI’ Slee

This book requires multiple readings to understand how deftly the various sections gel together, despite their differences, or because of them. “What you did as a child that made the hours pass like minutes? Therein lies the key to your earthly pursuits” (C.G. Jung). This is one such puzzle of a book with which you could have hours of pleasure.

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‘Cloven Country’ by Jeremy Harte
Original Craig ‘VI’ Slee Original Craig ‘VI’ Slee

‘Cloven Country’ by Jeremy Harte

Cloven Country is several things at once; a travelogue of Devilish spoor, a meditation on the way landscape affects the human imagination; a historical feeling-out of folk-religiosity, word of mouth – and the way human changes in society and culture are reflected in the stories we tell ourselves.

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‘Magic in Merlin’s Realm’ by Francis Young
Original Craig ‘VI’ Slee Original Craig ‘VI’ Slee

‘Magic in Merlin’s Realm’ by Francis Young

No matter one’s views on politics, monarchies and the like, this book may very well start one wondering who exactly benefits from the myth of disenchantment, while at the same time surrounding us with images and branding drawn from the wildest dreams of propagandists, spin doctors and advertisers.

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‘Hagia Sophia’ by Peter Mark Adams
Original Mark Stavish Original Mark Stavish

‘Hagia Sophia’ by Peter Mark Adams

Hagia Sophia Sanctum of Kronos: Spiritual Dissent in an Age of Tyranny is Peter Mark Adams’ third book in a series of writings on classical initiation and its survival into the Renaissance. According to Adams, the Hagia Sophia itself is the incarnation of the most important ideas of Hellenistic theurgy, or spiritual practice wherein identification with, and even possession by one’s chosen devotional deity was the ideal.

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‘ANARCH’ by Gast Bouschet. Reviewed by Peter Mark Adams.
Original Peter Mark Adams Original Peter Mark Adams

‘ANARCH’ by Gast Bouschet. Reviewed by Peter Mark Adams.

In essence, ANARCH documents an ongoing process of profound personal transformation mediated by a four year long retreat in a forested landscape. Captured in fine writing and immersive photography, I cannot sufficiently commend the profundity of conception and execution that characterises this work.

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‘ANARCH’ by Gast Bouschet. Reviewed by Frater Acher.
Original Frater Acher Original Frater Acher

‘ANARCH’ by Gast Bouschet. Reviewed by Frater Acher.

ANARCH brings the spirit of Beuys down into chthonic depths; brings it to lie beside us, as it were, in a sacrificial pit. From there, Gast’s book buries us alive, takes us on a satanic–alchemical journey to leave us injured, wounded, and fully given over to transience as undead revenants in the 21st century in new and diabolical forms.

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‘Effigy: of Graven Image and Holy Idol’ by Martin Duffy
Original Ian Chambers Original Ian Chambers

‘Effigy: of Graven Image and Holy Idol’ by Martin Duffy

Effigy is at first a rather daunting proposition and one is left wondering how the subject can be expanded into such a thick tome. However, the thoroughness of Duffy’s research and study, his diligent fact-finding and investigation into the historic and contemporary practical use of the idol is superb, revealing how mammoth a subject it actually is – masterfully handled and treated with care and consideration.

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‘Nazarth: Pillars of Gladness’ by Alexander Cummins
Original Craig ‘VI’ Slee Original Craig ‘VI’ Slee

‘Nazarth: Pillars of Gladness’ by Alexander Cummins

[…] As Cummins suggests, the calls and figures as a whole might be deployed for various sorcerous reasons. Yet if there is one thing that remains constant with poetry, it is the ardency with which it is performed that makes it so evocative – even spoken softly, gently, soothingly, in tones of intimacy and friendship, there must be enthusiasm.

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‘Against the Grain’ by Prema Goet
Original Frater Acher Original Frater Acher

‘Against the Grain’ by Prema Goet

I recommend the devouring of this book, and a warning of side effects may also seem in order. What we hold in our hands here is immensely valuable from multiple perspectives. From the modern goês’ vantage point, Prema Goet offers us a veritable anti-grimoire. A book that contains no grammar, but pure visual poetry.

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‘A Guide to the Zohar’ by Arthur Green
Original Frater Acher Original Frater Acher

‘A Guide to the Zohar’ by Arthur Green

After more than twenty years of study of practical Kabbalah outside authentically Jewish circles, I commend Green's book as both the best written for beginners and a much-needed corrective for most advanced practitioners. May it appear on the bookshelves and curricula of all magical orders far ahead of the works of Adolphe Franck, Mathers, Crowley, or Papus.

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‘How to Become a Modern Magus’ by Don Webb
Original Nicholaj de Mattos Frisvold Original Nicholaj de Mattos Frisvold

‘How to Become a Modern Magus’ by Don Webb

Don Webb’s ‘How to Become a Modern Magus’ poses three interesting questions with its title. What is a Magus, what is magic, and is there a difference between a Magus and a Modern Magus? (…) A book that teaches all that deserves to be read, to be used and to be applauded!

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‘Holy Heretics’ by Frater Acher
Original Frater Acher Original Frater Acher

‘Holy Heretics’ by Frater Acher

Frater Acher writes with very deliberate care for the reader. In a sense, this is a book about character, in terms of the symbols we use (and which also use us) to contour our perception and experience. It is also a study in contrasts, in order to explore what the author calls “the rainbow path” – which requires seeing through and behind caricatures. Whether those caricatures are those of the fanatical Christian extremist, the dissolute pagan, or the saintly hesychast, all are examined here with remarkable even-handedness.

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